When Semaphore was launched in 1971, we had no idea there was a recession going on. We opened our little creative shop on Santee Avenue across from what was then C&S Bank, in one half of a small duplex. With borrowed office furniture, an IBM Selectric I had won in a writing contest while working for WOIC Radio as a copywriter/traffic manager, and lots of imaginative touches by my artist partners, we opened the doors and the clients came.
In today’s era of intense competition, it is hard to imagine that our first big client was another agency, Cook, Ruef, Spann and Weiser, who had a shop a few doors down from us. Whenever they had more work than they could handle, Bill Spann brought their overload to us. I will never forget the checks they wrote to us and the wonderful assignments they shared so generously. That big agency’s overflow enabled us to lure Frankie Bridges away from Bradley, Graham and Hamby, another big agency in town where both of us worked for a time, to join us at Semaphore. That was the smartest business decision of my life. Frankie is a phenomenal record keeper and bookkeeper. She monitored our cash flow and prevented us from going over any financial cliffs, as she still does today.
Our first big chance came from C&S Bank, where the remarkable Billy Silver was then VP for marketing and advertising. We started with the execution of a presentation that Billy had dreamed up for an annual meeting where record-breaking numbers were to be presented to the bank’s board of directors and top executives. From there, we went on to annual reports, brochures, billboards, newspaper advertising and new branch openings. Because we were located in South Carolina, we handled all of the new branch openings for C&S all across the state during the time of the bank’s greatest expansion.
We worked for C&S for many years – up until the time that Robert V. Royall decided he wanted the challenge of growing NBSC from a small town operation headquartered in Sumter into a statewide giant that could hold its own with the big, well-established banks in South Carolina. We did the marketing for all of the new branch rollouts all over the state. And, we created the NBSC logo and branding.
Another of Semaphore’s early giant steps came about in a most unusual fashion and in New York City of all places. I was attending the Conference Board meeting at the Waldorf, while staying with an actress friend in her bed-sit walk up. Semaphore scraped up the funds to send me to this meeting to get the best two-day education that could be had in our field at that time. During one of the 15-minute breaks between sessions, I noticed a man at the coffee bar, leaning against the wall and obviously in intense pain. This was during the Tylenol scare, so naturally I was somewhat timid about offering him an aspirin. In fact, I said to him “If I were you, I would not accept a pill from a stranger, but I do have some aspirin if you’d like some.” He responded by telling me he had an awful headache and he really needed something for the pain.
How could I have known that he was the director of marketing for Central Electric Power Cooperative, the wholesale power supplier for all 20 of South Carolina’s electric cooperatives? When we returned to Columbia, he called and invited me to lunch and I asked him to test our capabilities with one small project, one that had to produce measurable results. That was the beginning of a relationship that has lasted for decades and came to include most of the individual electric cooperatives in South Carolina, as well as the statewide association – the Electric Cooperatives of South Carolina (ECSC).
Frequently, and mostly in the last decade, I hear advertising and marketing described as a cutthroat business. My experience has been the opposite. For example, there was Van Newman, of Newman, Saylor and Gregory, who sent work to Semaphore that was either too small for his agency or presented a conflict with one of his clients. One of my favorites was a giant waterslide out on Two Notch Road called the “Zoom Flume.” I’ll never forget our headline for that endeavor: “Long, Tall, Cold, Fast and Wet!”
Today, some 80 percent of our business comes from clients we’ve been connected to for over 20 years. In addition to that remarkable fact, two of our incredibly talented creative people have been with Semaphore since they left college. I think that speaks volumes about who we are and how we conduct our relationships with clients.
Forty years since our start and I am still amazed and somewhat humbled by the generosity and good manners of advertising people. There is no doubt about the tough competition. That factor is always there. More important is the willingness to help.